4.0 Classical Arabic Maqamat

- How are the different sounds in inshad, and by extension, Arabic music, formulated and achieved?
- What is a maqam?
- How are they applied?
- How does the Bayati (which we have learnt in weeks 1-3) differ from this week's song in Hijaz... in feeling, movement and tonality?
Refer to ‘Maqam Dispositional Model’.
Atainaka bi ‘l-Faqri
أتيناك بالفقر
المنشد محمد مسلماني
Muhammad Musulmani
- What do you observe in his style?
- What do you feel from his delivery
- How does he manipulate the melody?