4.0 Classical Arabic Maqamat

• How are the different sounds in inshad, and by extension, Arabic music, formulated and achieved?

• What is a maqam?

• How are they applied?

• How does the Bayati (which we have learnt in weeks 1-3) differ from this week's song in Hijaz... in feeling, movement and tonality?

Refer to ‘Maqam Dispositional Model’.

Atainaka bi ‘l-Faqri

أتيناك بالفقر

المنشد محمد مسلماني

Muhammad Musulmani

• What do you observe in his style?

• What do you feel from his delivery

• How does he manipulate the melody?